to criticise or attack somebody aggressively or decisively; to target an adversary’s weakest or most vulnerable point—USA, 1879—the image is of attacking a person fatally in the throat or neck, where the jugular vein runs
to go away and stop being a nuisance—chiefly used in the imperative as a contemptuous dismissal—USA, 1883—the image is of somebody jumping into a lake and drowning
extremely large, huge, enormous—USA, 1967—of uncertain origin; probably a factitious adjective coined on the suffix ‘-ous’, influenced by ‘hugeous’ and ‘monstrous’, and perhaps by the stress-patterns of ‘stupendous’, ‘tremendous’, etc.
a woman who had no qualities other than attractiveness, with connotations of low intelligence, or of flightiness, or of low social status and poverty—second half of the 19th century, chiefly in stories by women writers
tap-water likened to a grand cru—in reference to ‘château’ in names of wines of superior quality—in French ‘Château-la-Pompe’ (i.e. ‘Château-the-Pump’), ‘pompe’ denotes a device for raising water
to do everything possible to achieve a result or effect—UK, 1865 (as ‘to pull out a few more stops’)—alludes to pulling out all the stops of an organ in order to produce a full and thrilling sound
to speak the plural noun ‘prunes’ aloud in order to form the lips into an attractive shape—UK, 1846—particularly associated with portrait photography; also with kissing
denotes a film, television programme, etc., which adopts the form of a serious documentary in order to satirise its subject—apparently first used (and perhaps coined) in 1952 by the Canadian television producer Ross McLean
USA, 1974—the news media’s practice of giving credence to the other side of an opinion or action in order to seem fair, even though that other side is objectionable