‘Charlie’s dead’ (your petticoat is showing)
UK, 1950s—used among schoolgirls when one’s petticoat was showing (origin unknown)—synonyms: ‘it’s snowing again’, ‘you’re showing next week’s washing’
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the cultural background to the plebeian ‘trunkmaker’
UK, 18th and 19th centuries—‘trunkmaker’ was often employed with allusion to the use of the sheets of unsaleable books for trunk-linings
Read Moremeaning and origin of the phrase ‘jam and Jerusalem’
UK, 20th century—the Women’s Institutes—‘jam’, from jam-making as a typical activity practised by members—‘Jerusalem’, the hymn that members sing at meetings
Read Morethe phrase ‘you can hear the neighbours change their minds’
UK, 1909—used when the dividing walls between adjacent houses or flats are thin—also used of the passage of sound between floors
Read Moremeanings of the British phrase ‘vicarage tea-party’
20th century—denotes something mild, innocuous or uneventful—but those notions have been associated with vicarage tea-parties since the 19th century
Read Morenotes on the British phrase ‘if wet, in the vicarage’
20th century—originally a precautionary stipulation in announcements of events such as church fêtes—hence used humorously of any forthcoming event
Read Moremeaning and origin of the phrase ‘Punch’s advice—don’t’
from “advice to persons about to marry—don’t”, published in ‘Punch’s Almanack for 1845’ (24 December 1844) by the magazine ‘Punch, or the London Charivari’
Read Moremeanings and origin of ‘the angels’ share’
UK, 1970—the quantity of distilled spirits lost to evaporation while ageing in wooden casks; the vapours resulting from this process—calque of French ‘la part des anges’
Read More‘wallflower’ | ‘faire tapisserie’: on the fringes of a dance
UK 1801 ‘wallflower’—France 1806 ‘faire tapisserie’ (= ‘to do tapestry’)—in both cases because the person keeps their seat at the side of a room during dancing
Read Moremeaning and origin of the phrase ‘not Pygmalion likely’
euphemistic jocular variant of ‘not bloody likely’—UK, 1914—from the sensation caused by the use of the expletive ‘bloody’ in George Bernard Shaw’s ‘Pygmalion’
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