the Shakespearean origin of ‘salad days’
‘salad days’: days of youthful inexperience—coined by Shakespeare in ‘Antony and Cleopatra’—alludes to the raw (green and cold) vegetables used in a salad
Read MoreCategory: USA & Canada
origin of the verb ‘bogart’ (to monopolise)
from ‘Don’t Bogart That Joint’ (1968), song by Fraternity of Man—alludes to the way Humphrey Bogart held a cigarette for long dialogues without smoking it
Read Moreorigin of the British phrase ‘to go for a burton’
to meet with disaster; to be ruined, destroyed or killed—UK, 1941, RAF slang: (of an airman) to be killed—perhaps from ‘to go for a drink (of Burton ale)’
Read Moreorigin of the phrase ‘good wine needs no bush’
first recorded in ‘As You Like It’, by Shakespeare—from the former practice of hanging a branch or bunch of ivy as a vintner’s sign in front of a tavern
Read Moreorigin of ‘to take the cake’ and ‘to take the biscuit’
‘take the cake’ (US, 1839) alludes probably to cake as the prize in a contest, but maybe not to cakewalk—‘take the biscuit’ (US, 1879) used in British English
Read Moreorigin of the word ‘captcha’
early 21st century—acronym from ‘Completely Automatic Public Turing test to tell Computers and Humans Apart’, with punning allusion to ‘capture’ and ‘gotcha’
Read Morethe liturgical origin of ‘Quasimodo’
in full ‘Quasimodo Sunday’: the Sunday after Easter—from the opening words of the Latin introit for that day, ‘quasimodo geniti infantes’, ‘as newborn babies’
Read Moreearly instances of ‘butterfly kiss’
‘Butterfly kiss’ appeared in the second half of the 19th century to designate the act of lightly sweeping a person’s cheek with one’s eyelashes.
Read Morethe cinematographic origin of ‘to cut to the chase’
In cinematography, ‘to cut to the chase’ is to cut to a chase scene, hence to cut to an interesting or fast-paced part of a film, deleting less exciting scenes.
Read Moreorigin of ‘it takes two to tango’
both parties involved in a situation or argument are equally responsible for it—USA, 1952—from ‘Takes Two to Tango’ (1952), a song by Hoffman and Manning
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