‘lay on, Macduff’ | ‘lead on, Macduff’
from Shakespeare’s ‘Macbeth’—1814 ‘lay on, Macduff’: go ahead (and give it your best try)—1855 misquotation ‘lead on, Macduff’: let’s get going, start us off
Read MoreTag: William Shakespeare
meaning and origin of the phrase ‘to come to Hecuba’
to come to the point—in Shakespeare’s ‘Hamlet’, the title role urges an actor to go straight to Hecuba’s reaction to her husband’s killing
Read More‘how different is the home life of our own dear Queen’
a break with traditional values—at a performance of Anthony and Cleopatra, a Victorian lady allegedly contrasted Queen Victoria’s homelife to Cleopatra’s
Read Morethe origin and various meanings of ‘Macready pause’
UK, 1842—theatre: a long pause during the delivery of a speech—refers to the English actor William Macready (1793-1873), who was given to making long pauses
Read Moremeanings of the Irish-English phrase ‘like snuff at a wake’
1844—various senses, especially ‘hither and thither’ and ‘lavishly’—from the custom of sharing snuff during a vigil held beside the body of someone who has died
Read Moremeanings and origin of ‘bell, book, and candle’
14th century—a form of excommunication from the Catholic Church—by extension any process of condemnation carried out thoroughly
Read Morethe phrase ‘the face that launched a thousand ships’
an extremely beautiful woman—alludes to the description of Helen of Troy in Christopher Marlowe’s ‘Doctor Faustus’—has given rise to countless adaptations
Read More‘the beast with two backs’ | ‘la bête à deux dos’
a man and woman in the act of copulation—English: earliest in Shakespeare’s Othello—perhaps a calque of French: earliest in Rabelais’s Gargantua (1542)
Read Moremeaning and origin of the phrase ‘the great unwashed’
UK, 1829—a pejorative appellation of the lower classes by the middle and upper classes, although apparently appropriated by the lower classes
Read Moremeaning and origin of the phrase ‘alarums and excursions’
confused activity and uproar—alludes to the frequent collocation of ‘alarum’ and ‘excursion’ in stage directions in Shakespearean drama
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