UK, 1832—‘the awkward age’: the adolescence, when one is no longer a child but not yet properly grown up, a time of life characterised by physical and emotional changes—translates in French as ‘l’âge ingrat’, ‘the thankless age’
from the notion that even a dead cat will bounce if dropped from a sufficient height—UK, 1981: a rapid fall in the stock market with hardly any reaction—USA, 1985: a rapid but short-lived recovery in the stock market after a sharp fall—hence, 1992: any spurious success
‘a stiff upper lip’: a quality of uncomplaining stoicism—now understood as referring to what is believed to be a quintessentially British trait, the repression of emotion, but originated in fact in North America (USA, 1811)
three meanings: 1/ in outdoor pageants: a man dressed in greenery, representing a wild man of the woods—2/ in inn names and signs: a forester—3/ in medieval English churches: a representation of a man’s face composed of, surrounded by, or sprouting foliage or branches
UK, 1945—‘demob happy’: feeling elated in anticipation of demobilisation from the armed forces—hence: in anticipation of the end of a job, assignment, etc.—in extended use: in anticipation of the end of any onerous or unpleasant period
UK, 1823—‘a hurried departure at night, especially from rented accommodation to avoid payment of rent owed’—‘flit’, noun use of ‘to flit’, originally used in Scotland and Northern England to mean ‘to move house or leave one’s home’
UK, 1831—to startle or upset a sedate or conventionally-minded community—most probably from the following lines in The Tragedy of Coriolanus (circa 1607), by William Shakespeare: “like an eagle in a dove-cote, I | Flutter’d your Volscians in Corioli”
British English, armed forces, 1936—With reference to the bluebottle fly, the colloquial phrase ‘like a blue-arsed fly’ is used to describe someone engaged in constant, frantic activity or movement.
USA, 1930—‘to crawl, or to come, out of the woodwork’: of an unpleasant or unwelcome person or thing, to come out of hiding, to emerge from obscurity; the image is of vermin or insects crawling out of crevices or other hidden places in a building
first recorded in the United Kingdom in 1914, with reference to the civilizational implication of the German invasion of Belgium at the beginning of World War One; therefore, not first used by Orson Welles in Citizen Kane (1941)