origin of ‘R.S.V.P.’
early 19th century—initialism from French ‘répondez s’il vous plaît’ (‘respond if you please’), used at the end of invitations to request a response
Read More“ad fontes!”
early 19th century—initialism from French ‘répondez s’il vous plaît’ (‘respond if you please’), used at the end of invitations to request a response
Read Moreorigin: a rower who does not pull the oar with a force appropriate to his or her weight fails to make the contribution expected by the rest of the crew
Read Morefrom Latin ‘Pūnica fidēs’, literally ‘Phoenician faith’, meaning ‘perfidy’, with reference to Carthage, the enemy of Rome over several centuries
Read Morerefers to the rarity of white elephants and to the story that the king of Pegu waged war on the king of Siam, who had refused to sell him one
Read Morefirst half of the 18th century—‘clap trap’: a use of language designed to capture (i.e. trap) a theatrical audience’s applause (i.e. clapping)
Read Morepossibly from ‘cloak and sword’, from Spanish ‘(comedia) de capa y espada’, a type of dramas in which the main characters wore cloaks and swords or daggers
Read Morefrom Spanish ‘vamos’, ‘let us go’—first recorded as ‘vamos’ in ‘Every Night Book; or, Life after Dark’ (London, 1827), by the English author William Clarke
Read Morefrom ‘Full Fathom Five’, Ariel’s song to Ferdinand in ‘The Tempest’, by Shakespeare, where ‘sea change’ denotes a change brought about by the action of the sea
Read Morefrom the observation made by the soldier Marcellus in ‘Hamlet’, by Shakespeare, when the eponymous character is following the ghost of his father
Read More‘salad days’: days of youthful inexperience—coined by Shakespeare in ‘Antony and Cleopatra’—alludes to the raw (green and cold) vegetables used in a salad
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