the theatrical origin of ‘claptrap’
first half of the 18th century—‘clap trap’: a use of language designed to capture (i.e. trap) a theatrical audience’s applause (i.e. clapping)
Read More“ad fontes!”
first half of the 18th century—‘clap trap’: a use of language designed to capture (i.e. trap) a theatrical audience’s applause (i.e. clapping)
Read Morepossibly from ‘cloak and sword’, from Spanish ‘(comedia) de capa y espada’, a type of dramas in which the main characters wore cloaks and swords or daggers
Read MoreUK, 1972—‘XXXX’: a euphemistic substitute for a four-letter swear word, usually ‘fuck’—it did not originally refer to the Australian lager Castlemaine XXXX
Read Morefrom Spanish ‘vamos’, ‘let us go’—first recorded as ‘vamos’ in ‘Every Night Book; or, Life after Dark’ (London, 1827), by the English author William Clarke
Read Moreoriginally, at Cambridge University: oversized wooden spoon given to the candidate coming last in the mathematical tripos (BA-degree final honours examination)
Read Morefrom ‘Full Fathom Five’, Ariel’s song to Ferdinand in ‘The Tempest’, by Shakespeare, where ‘sea change’ denotes a change brought about by the action of the sea
Read Morefrom the observation made by the soldier Marcellus in ‘Hamlet’, by Shakespeare, when the eponymous character is following the ghost of his father
Read More‘salad days’: days of youthful inexperience—coined by Shakespeare in ‘Antony and Cleopatra’—alludes to the raw (green and cold) vegetables used in a salad
Read Morefrom ‘Don’t Bogart That Joint’ (1968), song by Fraternity of Man—alludes to the way Humphrey Bogart held a cigarette for long dialogues without smoking it
Read Moreto meet with disaster; to be ruined, destroyed or killed—UK, 1941, RAF slang: (of an airman) to be killed—perhaps from ‘to go for a drink (of Burton ale)’
Read More