‘sticker-licker’: meaning and origin

state of South Australia, 1952—a traffic warden—from the fact that South Australian traffic wardens licked the adhesive parking tickets in order to stick them to the windscreens—hence also the verb ‘sticker-lick’

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‘Queen Anne’s fan’: meaning and early occurrences

UK, 1883—a gesture of derision made by putting one’s thumb to one’s nose and outspreading the fingers like a fan; can be intensified by joining the tip of the little finger to the thumb of the other hand, whose fingers are also outspread fanwise—the motivation for the choice of ‘Queen Anne’ is unknown

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‘Indian burn’: meaning and origin

USA, 1937, as a wrestling term—an act of placing both hands on a person’s wrist or arm and then twisting it to produce a burning sensation—alludes to the fiendish methods of torture attributed to the ‘(Red) Indians’

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‘Chinese burn’: meaning and origin

UK, 1956, children’s slang—an act of placing both hands on a person’s wrist or arm and then twisting it to produce a burning sensation—alludes to the fiendish methods of torture attributed to the Chinese

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‘lager lout’: meaning and origin

UK, 1987—a young man who behaves in an unpleasant or aggressive manner as a result of drinking (typically lager) excessively—lager, a pale beer, is favoured by the young as opposed to the dark, traditional bitter English beer

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British and Irish uses of ‘more front than’

denotes effrontery—‘front’ denotes self-assurance, but the word that follows ‘than’ puns on ‘front’ in the sense of the façade of a building, a long seafront, etc.—also denotes a well-endowed woman, with reference to ‘front’ in the sense of a woman’s bust

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‘the Emmaville Express’: meaning and origin

Australia, 1976—nickname of Australian sprinter Debbie Wells (born 1961), who is from Emmaville, in New South Wales—alludes jocularly to ‘express (train)’, denoting a train that stops at few stations and travels quickly

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‘coconut (black)’: meaning and origin

Australia, 1981—used by some Aborigines of those who are considered to have betrayed their Aboriginal identity in order to be accepted into the white Australian society—the image is that (like the coconut, dark on the outside, but white on the inside) those Aboriginal ‘betrayers’ are outwardly black, but inwardly white

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