‘hell in a handbasket’ (1841), ‘heaven in a handbasket’ (1834) in Irish contexts—‘handbasket’ chosen for alliteration with ‘hell’—‘to go to hell in a handbasket’ meant ‘to go to hell’—‘to go to heaven in a handbasket’ meant ‘to go to heaven’ or ‘to go to hell’
In the phrase ‘sleep tight’ (USA, 1873), the adjective ‘tight’ is used as an adverb meaning ‘soundly’, i.e. ‘deeply and without disturbance’, as in the combination ‘tight asleep’ (USA, 1847).
UK, 1857—characterised by savage violence or merciless competition—from Alfred Tennyson’s poem ‘In Memoriam’ (1850), in which ‘red in tooth and claw’ refers to Nature’s brutality
originally: a child wearing the house key tied around their neck and staying in the streets while their mother is at work—USA, 1935: a poor Afro-American woman’s child—USA & UK, WWII: a child whose mother was engaged in war industry
USA, 1901—Especially in ‘to have them rolling in the aisles’, the colloquial phrase ‘in the aisles’ is used in various expressions to suggest a wildly enthusiastic reaction, especially uncontrollable laughter, on the part of an audience.
‘a stiff upper lip’: a quality of uncomplaining stoicism—now understood as referring to what is believed to be a quintessentially British trait, the repression of emotion, but originated in fact in North America (USA, 1811)
three meanings: 1/ in outdoor pageants: a man dressed in greenery, representing a wild man of the woods—2/ in inn names and signs: a forester—3/ in medieval English churches: a representation of a man’s face composed of, surrounded by, or sprouting foliage or branches
UK, 1831—to startle or upset a sedate or conventionally-minded community—most probably from the following lines in The Tragedy of Coriolanus (circa 1607), by William Shakespeare: “like an eagle in a dove-cote, I | Flutter’d your Volscians in Corioli”
USA, Boston Morning Post, 26 May 1834—‘Dutch uncle’: a person giving firm but benevolent advice—unknown origin—perhaps an allusion to Calvinistic sternness
‘double Dutch’, 19th century—from ‘Dutch’ in the sense of a language that few people can speak, and ‘double’ as a mere intensifier—‘High Dutch’, 17th century—loan translation from French ‘haut allemand’ (= ‘High German’), used in the sense of gibberish