‘chalk and talk’: meaning and origin
USA, 1871—a traditional method of teaching consisting of lectures (talk) illustrated chiefly on the blackboard (chalk)
Read MoreCategory: religion
‘sugar skull’: meaning and origin
1843—a representation of a human skull or skeleton, originally crafted from sugar and intended to be eaten and often given to children as a gift around Día de Muertos (Day of the Dead)
Read More‘holy laugh’: meaning and origin
USA, 1826—a laugh by a person in a state of religious fervour—especially used in reference to Methodist camp-meetings
Read More‘clergyman’s sore throat’: meaning and origin
chronic pharyngitis—first used in medical texts published in Philadelphia from 1837 onwards—in reference to preachers who overstrain their voice
Read More‘Rasputin’: meaning and origin
a person exercising an insidious or corrupting influence, especially over a ruler, government, etc.—UK, 1917—refers to Grigori Efimovich Rasputin (circa 1869-1916), mystic and influential favourite at the court of Tsar Nicholas II
Read More‘sword of Damocles’: meaning and origin
1625—an imminent danger—alludes to Damocles, a courtier of ancient Syracuse, who was given a lesson in the perils to a ruler’s life when forced to sit under a naked sword hanging by a single hair
Read More‘sandcastle’: meanings and origin
UK, 1833: a small castle-like structure made of wet sand, as by children on a beach—UK, 1837: a plan or idea with little substance
Read More‘Christmas spirit’: meaning and early occurrences
UK, 1827—a mood or attitude appropriate to the Christmas season, especially one involving feelings of goodwill, benevolence and a willingness to enjoy oneself
Read More‘annus horribilis’: meaning and origin
UK, 1867—a disastrous or particularly unpleasant year—Latin, literally ‘a horrible year’—coined after Latin ‘annus mirabilis’, literally ‘an extraordinary year’
Read More‘brimstone and treacle’: meaning and origin
Britain, 1746—refers to old-fashioned medicinal remedies—notably used by Charles Dickens in ‘The Life and Adventures of Nicholas Nickleby’ (1838-39)
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