‘to come to a sticky end’: meaning and early occurrences
to die, or to come to grief, in violent or exceptionally unpleasant circumstances—Australia, 1897—here, the adjective ‘sticky’ means ‘unpleasant’
Read More“ad fontes!”
to die, or to come to grief, in violent or exceptionally unpleasant circumstances—Australia, 1897—here, the adjective ‘sticky’ means ‘unpleasant’
Read Morea person who now preserves the interests that he or she previously attacked—UK, 19th century—but the notion occurred in Chaucer’s Physician’s Tale and ‘the greatest deer-stealers make the best park-keepers’ in The Church-History of Britain (1655)
Read Moreinterjection used to suggest that something can be done or understood with no difficulty—UK, 2009—from the catchword uttered by Aleksandr Orlov, an animated Russian meerkat, in a television advertising campaign for comparethemarket.com
Read Morethe exploitation and intimidation of tenants by unscrupulous landlords—UK, 1963—refers to Peter Rachman, a London landlord whose unscrupulous practices became notorious in the early 1960s
Read Moreused of any never-ending or arduous task—UK, 1923—alludes to the huge task of maintaining the painted surfaces of the railway bridge over the Firth of Forth, in central Scotland
Read MoreUK, 2022— translates French ‘girouette de fer’—a derisive nickname for Liz Truss, in reference both to ‘Iron Lady’ (a nickname for Margaret Thatcher) and to Liz Truss’s changing views on a variety of subjects
Read MoreUSA, 1974—the news media’s practice of giving credence to the other side of an opinion or action in order to seem fair, even though that other side is objectionable
Read MoreUK, 1966—a police patrol car having a broad white stripe painted on a dark background—alludes to the black-and-white fur of the giant panda
Read MoreUK, 1962—a type of pedestrian crossing distinguished by black-and-white chevrons marked on the road, and having traffic warning lights activated by people wishing to cross—alludes to the black-and-white fur of the giant panda
Read Morea tall person—Australia, 1968, in the stage play Norm and Ahmed, by Alexander Buzo—gained currency from occurring in the film Gallipoli (1981), scripted by David Williamson
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