‘hell, west and crooked’: meaning and origin
USA, 1867—all over the place, in disarray—perhaps originally used by cattlemen of mobs of cattle all over the place
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‘all over hell and half of Georgia’: meaning and early occurrences
USA, 1913—an extremely large area—the second half of this phrase varies, in particular according to the speaker’s locality
Read More‘hell’s delight’: meaning and early occurrences
early 19th century—pandemonium, great trouble or difficulty—often in ‘to kick up hell’s delight’, meaning: to cause a great deal of trouble or difficulty
Read More‘Marie Antoinette’: meaning and origin
refers to a person who is ignorant or dismissive of the hardships of others—alludes to the phrase “let them eat cake”, attributed to Marie Antoinette, wife of King of France Louis XVI
Read More‘Chinese fire drill’: meanings and origin
USA—1941 (slang of the Marines): a state of disorder or confusion—1959 (High-School slang): a prank in which the occupants of a vehicle which has temporarily come to a stop must jump out, run around the vehicle and get back in
Read More‘egg-dance’: meanings and origin
(UK, 1775): a dance blindfold among eggs—hence, figuratively (UK, 1856): an intricate and difficult task—also used as a verb
Read More‘to kick somebody upstairs’: meaning and origin
to promote somebody to an ostensibly higher position where they will be out of the way and less influential—jocular variant of ‘to kick somebody downstairs’, meaning to eject somebody
Read More‘to put one’s money where one’s mouth is’: meaning and origin
USA, 1913—to produce, bet or pay out money to support one’s statements or opinions; to do something that demonstrates one’s assertion
Read More‘bag stuffer’: meaning and origin
USA, 1950, as ‘shopping-bag stuffer’—an advertising leaflet or similar piece of promotional material handed out to shoppers or placed in shopping bags alongside goods purchased
Read More‘there’s life in the old dog yet’: meaning and origin
an assertion of continuing competence, strength, etc., notwithstanding evidence to the contrary—from the title of a painting by the British artist Edwin Landseer, first exhibited in 1838
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