the cinematographic origin of ‘to cut to the chase’
In cinematography, ‘to cut to the chase’ is to cut to a chase scene, hence to cut to an interesting or fast-paced part of a film, deleting less exciting scenes.
Read More“ad fontes!”
In cinematography, ‘to cut to the chase’ is to cut to a chase scene, hence to cut to an interesting or fast-paced part of a film, deleting less exciting scenes.
Read Moreboth parties involved in a situation or argument are equally responsible for it—USA, 1952—from ‘Takes Two to Tango’ (1952), a song by Hoffman and Manning
Read Moreoriginally ‘pampered child’, later ‘town-dweller regarded as affected or puny’—origin uncertain—probably not the same word as ‘cokeney’, literally ‘cock’s egg’
Read MoreUSA—‘not part of a particular exclusive group’, 1955—‘out of one’s mind’, 1958—‘smashed out of one’s skull’ (= ‘drunk’, 1963)—‘bored out of one’s skull’, 1967
Read Morean argument said to have been used by John Morton in levying forced loans: a person living well was obviously rich; one living frugally must have savings
Read Moreearly 19th century—probably a jocular application of ‘forty’ as an indefinite term for a large number—‘wink’ in the sense of ‘a closing of the eyes for sleep’
Read More‘Mr’-‘Mrs’: originally abbreviations of ‘master’-‘mistress’—‘mister’-‘missus’: renderings of the altered pronunciations of ‘master’-‘mistress’ in ‘Mr’-‘Mrs’
Read More‘miss’: unmarried woman or girl; 17th cent., short for ‘mistress’—‘Ms’: title free of reference to marital status; 20th cent., blend of ‘Mrs’ and ‘Miss’
Read Morefrom Speed the Plough (1798), by Thomas Morton; Dame Ashfield is constantly fearing to give occasion for the sneers of Mrs Grundy, her unseen neighbour
Read More‘something new can only be judged to be good or bad after it has been tried or used’ (‘proof’ = ‘test’)—1623, in Remaines, concerning Britaine, by W. Camden
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