the phrases built on the pattern ‘to out-X X’, in which ‘X’ is a person’s name, mean to be superior to X in his or her characteristics—the prefix ‘out-’ has been used to form verbs conveying the sense of surpassing, exceeding or beating in the action described by the simple verb
‘parting shot’ (1817); ‘Parthian shot’ (1822): a sharp, telling remark, act, gesture, etc., made in departing—‘parting shot’: literally the final shot fired at the moment of departure—‘Parthian shot’: refers to the Parthian horsemen’s habit of shooting arrows backwards while in real or pretended retreat
to use unnecessary force in destroying something fragile—alludes to a wheel used as an instrument of torture—first occurs in An Epistle from Mr. Pope, to Dr. Arbuthnot (1734), by the English poet Alexander Pope (1688-1744), who perhaps coined this phrase
1733—denotes imaginary or non-existent people—refers to John Falstaff’s vaunting tale in the First Part of King Henry the Fourth, by William Shakespeare, in which two men in buckram suits gradually become eleven
literal meaning, 1473: something produced or manufactured—1534: an arduous task—1810: a commotion, a fuss—1623: ‘a filthy piece of work’ is applied to a person in Shakespeare’s Timon of Athens
19th century—refer to two handkerchiefs, one used as a clothing accessory, the other for blowing the nose—hence, figuratively ‘for display rather than for use’ and ‘one for display and one for use’
indicates that a person has returned to normal after an illness or similar episode—from The Tragical History of King Richard III (1700), an adaptation of Shakespeare’s Richard III by Colley Cibber
jocularly denotes a performance of Shakespeare’s Hamlet in its entirety—UK, 1946—all occurrences from articles by theatre critic J. C. Trewin (1908-1990)