‘mother-in-law joke’: meanings and origin
USA, 1874—a joke made at the expense of the joke-teller’s (real or fictitious) mother-in-law; this type of joke considered (especially depreciatively) as a genre
Read More“ad fontes!”
USA, 1874—a joke made at the expense of the joke-teller’s (real or fictitious) mother-in-law; this type of joke considered (especially depreciatively) as a genre
Read Morelooking or feeling ill or nauseated—1843, in a letter by Charles Dickens—when applied to a person, the plural noun ‘gills’ designates the flesh under the jaws and ears; also the cheeks
Read Morecrowded or confined tightly together—Britain, 1706—in early use, this phrase often referred to the transatlantic slave trade
Read Morea container used to store for posterity a selection of objects thought to be representative of a particular moment in time—USA, 1938—coined to specifically designate the container built by the Westinghouse Electric and Manufacturing Company for the 1939 New York World’s Fair
Read MoreUSA, 1982—characteristic, reminiscent or imitative of the films or television work of the U.S. filmmaker David Lynch (1946-2025)—also ‘Lynchean’, ‘David-Lynchian’ and ‘David-Lynchean’
Read Morethree daily meals plus a bed for the night (i.e., basic food and shelter)—USA, 1929—chiefly used in relation to the military, prison, and shelters for homeless people—‘hot’ designates a hot meal
Read More1901—a look inviting sexual interest—hence, the adjective ‘bedroom-eyed’ (1925), which means: giving a look inviting sexual interest
Read Moreoriginally (1830): the rule, or the power, of paper money (as opposed to metallic currency)—later also (1940): the rule, or the power, of bureaucracy
Read Morevery boring or unexciting—‘(as) dull as ditchwater’ (1770)—the later phrase ‘(as) dull as dishwater’ (1832) is probably due to mispronunciation of ‘ditchwater’ in the original phrase
Read Moreto describe or portray someone or something in very general terms, avoiding or neglecting the finer details—UK, 1808—alludes to a style of painting characterised by the use of broad brushstrokes
Read More