‘to put one’s cue in the rack’: meaning and origin
USA, late 19th century—to give up, to retire, also, occasionally, to die—from the image of a billiard-player putting the cue back in the rack when the game is over
Read More“ad fontes!”
USA, late 19th century—to give up, to retire, also, occasionally, to die—from the image of a billiard-player putting the cue back in the rack when the game is over
Read MoreUSA, early 1960s—to test, check or research the condition or quality of a product, service, etc., before purchase or use—alludes to the practice consisting for a prospective buyer in kicking the tyres of a motorcar when inspecting it
Read MoreUSA, 1995—a woman thought to have become intolerably obsessive or overbearing in planning the details of her wedding—from ‘Godzilla, the suffix ‘-zilla’ is used to form humorous nouns which depict a person or thing as a particularly fearsome, relentless or overbearing example of its kind
Read MoreUSA, 1969—the 1964 Lincoln Continental specially built and equipped for Pope Paul VI’s 1965 visit to the United States
Read Moreearly 1930s—in an anti-climactic, disappointing way (used of something that comes to an end)—alludes to the last line of The Hollow Men (1925), by T. S. Eliot
Read MoreUK, 1886—those in charge of an organisation, project or initiative lack the fundamental qualities needed to fulfil their responsibilities
Read MoreUSA, 1930—used either literally or of something that should not or cannot be named or mentioned—alludes to ‘The Greeks Had a Word for It’, the title of a 1930 stage play by Zoe Akins
Read Morehumorous variant of ‘one man’s meat is another man’s poison’—Australia, 1872—used in particular of the opposition between flesh-eating and fish-eating in relation to the religious observance of fasting
Read Moreto accept or confront the inevitable, or the unpleasant consequences of one’s actions—USA, 1833—origin uncertain and disputed
Read MoreUK, 1810—tenacious, persistent, obstinate—unwilling to yield, to relent or to let go—unable to set aside a preoccupation or obsession—the image is that a dog with a bone will not let go of that bone, no matter what
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