‘a blind bit of ——’: meaning and origin
UK, 1922—used in negative constructions with a following noun to mean ‘a single ——’, ‘any ——’; the nouns most commonly used in those constructions are ‘notice’ and ‘difference’
Read More“ad fontes!”
UK, 1922—used in negative constructions with a following noun to mean ‘a single ——’, ‘any ——’; the nouns most commonly used in those constructions are ‘notice’ and ‘difference’
Read Morean apparent misfortune that works to the eventual good of the recipient—first half of the 18th century (from 1713 onwards) in the plural form ‘blessings in disguise’
Read Morea profession which has long been established or which is regarded as having similarities with prostitution—also sometimes used jocularly—alludes to ‘the oldest profession in the world’ (i.e., prostitution)
Read Moreprostitution—1889 as ‘the most ancient profession in the world’ in On the City Wall, by Rudyard Kipling—was used earlier, with positive connotations, of various professions, especially agriculture
Read Morein a state of nudity—1732 as ‘in one’s birthday clothes’—refers to the naked condition in which a person is born—here, ‘birthday’ means ‘the day on which a person was born’
Read MoreUSA, 1888—an enigmatic, mysterious smile, reminiscent of that represented in the Mona Lisa, a portrait of Monna Lisa del Giocondo, painted by Leonardo da Vinci
Read Moreto court danger by behaving in an obviously risky manner that cannot be sustained for long—1841 in an essay by Ralph Waldo Emerson
Read Morea man’s habit of sexual promiscuity or infidelity—refers to the zipper on the flies of a pair of trousers—USA, 1982, originally used of Members of Congress in Washington, D.C., and recorded by gossip columnist Diana McLellan
Read Morenotoriously used of the Beatles by John Lennon in an interview published in the Evening Standard (London, England) of 4 March 1966—but had been used earlier, for example in 1927 of Charlie Chaplin
Read Morean early account of a forced choice from a number of horses, associated with William Hobson (died 1581), a London haberdasher—itself adapted from earlier accounts, in which the main protagonist remained unnamed
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