“ad fontes!”
UK, 1981—a pair of spectacles with an oversized frame of a style that was fashionable in the 1980s—refers to the spectacles worn by Deirdre Barlow, a fictional character in the soap opera Coronation Street
Read MoreUK, 1810—tenacious, persistent, obstinate—unwilling to yield, to relent or to let go—unable to set aside a preoccupation or obsession—the image is that a dog with a bone will not let go of that bone, no matter what
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UK, 1989—refers to Manchester, in north-western England, as a centre of popular music and club subculture in Britain in the late 1980s and early 1990s—blend of ‘mad’ and ‘Manchester’
Read MoreUK (Midlands), 1939—exclamative phrase used to express astonishment or incredulity—the reason that this metaphor was chosen is unknown
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UK, 1993—USA, 1987—the words ‘—— from hell’ are suffixed to nouns often referring to everyday life, such as ‘holidays’ and ‘neighbour(s)’, to make phrases denoting an exceptionally unpleasant or bad example or instance of ‘——’
Read More1914—the colloquial British-English phrase ‘to pop one’s clogs’ means ‘to die’—while ‘clog’ designates a shoe with a thick wooden sole, the acceptation of the verb ‘to pop’ is obscure
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used to characterise melodrama—from the words said over her dead child by Lady Isabel in East Lynne (1874), T. A. Palmer’s stage play adapted from the 1861 novel by the English author Mrs. Henry Wood (Ellen Price)
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1969—a weak, cowardly or oversensitive man—analogy between a cowardly man “in a flap” and an oversize garment hanging loose, fluttering
Read Moresomething in its entirety—UK, 2nd half of 20th cent.—the sense of striptease performance involving full nudity was popularised by the 1997 film The Full Monty.
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