first recorded in the United Kingdom in 1914, with reference to the civilizational implication of the German invasion of Belgium at the beginning of World War One; therefore, not first used by Orson Welles in Citizen Kane (1941)
UK, 1967—chiefly British—‘bums on seats’: the members of an audience, at a theatre, cinema or other place of entertainment, especially when viewed as a source of income
USA, 1946—‘to have, or to get, egg on one’s face’: to be, or to get, embarrassed or humiliated by the turn of events—refers either to having eggs thrown at one’s face or to yolk stains left on the face after the careless eating of a soft-boiled egg
The noun ‘wolf whistle’ appeared in the USA in 1943—Wolf-whistling was popularised by the wolf, a cartoon character created by Tex Avery in Little Red Walking Hood (1937), which reappeared in Red Hot Riding Hood (1943).
USA, 1871—The phrase ‘here’s looking at you’ is used as a toast in drinking. It is now widely associated with the American film Casablanca (1942), in which Humphrey Bogart addresses Ingrid Bergman with the words “Here’s looking at you, kid.”
first recorded in a speech by Rev. George W. Bethune, transcribed in ‘Brief abstract of the fourth annual report of board of Managers of the New-York city Colonization Society’, published in ‘The American Christian Instructor’ of April 1836
From the name of the American film actress Mae West, renowned for her generous bust, the informal noun ‘Mae West’, attested in 1940, denotes an inflatable life jacket, originally as issued to Royal Air Force aviators during World War II.
Bing Crosby popularised ‘pennies from heaven’ in the 1936 film and song of the same name, but the phrase already existed; and Abraham Burstein, rabbi and author, had used ‘pennies falling from heaven’ in The Ghetto Messenger in 1928.
from ‘Don’t Bogart That Joint’ (1968), song by Fraternity of Man—alludes to the way Humphrey Bogart held a cigarette for long dialogues without smoking it
In cinematography, ‘to cut to the chase’ is to cut to a chase scene, hence to cut to an interesting or fast-paced part of a film, deleting less exciting scenes.