‘cut the cackle (and come to the horses)’: meaning and origin
‘stop talking (and get to the heart of the matter)’—UK, 1878—said to have been coined by circus proprietor Andrew Ducrow when apostrophising equestrian performers
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‘donkey’s breakfast’: meanings and origin
UK, 1866, sailors’ slang: a straw mattress—Australia, 1884: a straw hat—in reference to donkeys’ diet
Read More‘kangaroo-ship’: meaning and origin
1910s—a ship designed to carry submarines—likens the submarines carried in such ships to the immature young nursed in the abdominal pouch of female kangaroos
Read More‘to have the game by the throat’: meaning and origin
to be in control of a situation; to be in a dominant position—USA, 1899—originally (USA, 1867) used in reference to hunting game animals
Read More‘heifer-dust’: meaning, origin and early occurrences
nonsense, rubbish—USA, first decade of the 20th century—probably a euphemism for the noun ‘bullshit’, with the noun ‘dust’ used in the sense of ‘rubbish’, ‘garbage’
Read MoreAustralian uses of ‘heifer-paddock’
literally (1845): an enclosure in which calves are isolated from their mothers until weaned—figuratively, humorously and offensively (1885): a girls’ boarding-school—similar to the use of ‘cow’ to derogatorily designate a girl or woman
Read More‘hell, west and crooked’: meaning and origin
USA, 1867—all over the place, in disarray—perhaps originally used by cattlemen of mobs of cattle all over the place
Read More‘lead-pipe cinch’: meaning and early occurrences
a complete certainty—USA, 1887 in the context of horse-racing—of unknown origin
Read More‘Marie Celeste’: meanings and origin
is used of a place that is found inexplicably deserted; also of a person’s sudden and inexplicable disappearance—alludes to the Mary Celeste, a U.S. cargo ship which in December 1872 was found mysteriously abandoned in the North Atlantic
Read More‘there’s life in the old dog yet’: meaning and origin
an assertion of continuing competence, strength, etc., notwithstanding evidence to the contrary—from the title of a painting by the British artist Edwin Landseer, first exhibited in 1838
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