“ad fontes!”
a prim or affected facial expression or manner of speaking; affected mannerisms, superficial accomplishments—originally, in Little Dorrit (1857), by Charles Dickens, a phrase spoken aloud in order to form the lips into an attractive shape
Read Morealso ‘no joy without annoy’—meaning: there is a trace of trouble or difficulty in every pleasure—was already a common proverb in the late sixteenth century
Read Moreexcessive reverence for William Shakespeare—1901, coined by George Bernard Shaw—from ‘the Bard’, an epithet of William Shakespeare, and the combining form ‘-olatry’, forming nouns with the sense ‘worship of’, ‘excessive reverence for’
Read Moreinauthentic archaic language, especially as affected by authors of historical novels—UK, 1867—alludes to the fact that, in the 19th century, Wardour Street, in London, became known for its many shops specialising in imitations of antique furniture
Read Morea woman who had no qualities other than attractiveness, with connotations of low intelligence, or of flightiness, or of low social status and poverty—second half of the 19th century, chiefly in stories by women writers
Read MoreParticularly in Australian English, with reference to the phrase ‘not to care a bugger’, meaning ‘not to care at all’, the noun ‘imbuggerance’, also ‘embuggerance’, denotes ‘absolute indifference’.
Read Moresomething of no value, something to which one is utterly indifferent—UK, 1785—derives from a misinterpretation of “Worth makes the Man, and Want of it the Fellow;/The rest, is all but Leather or Prunella.” in An Essay on Man (1734), by Alexander Pope
Read Moreto speak the plural noun ‘prunes’ aloud in order to form the lips into an attractive shape—UK, 1846—particularly associated with portrait photography; also with kissing
Read Morea person who now preserves the interests that he or she previously attacked—UK, 19th century—but the notion occurred in Chaucer’s Physician’s Tale and ‘the greatest deer-stealers make the best park-keepers’ in The Church-History of Britain (1655)
Read Morea tall person—Australia, 1968, in the stage play Norm and Ahmed, by Alexander Buzo—gained currency from occurring in the film Gallipoli (1981), scripted by David Williamson
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